Wow! Autodesk purchased Softimage.

There was a time when there were 3 companies that battled in high-end 3D animation software. The competition was fierce and every year brought new features meant to outdo the other packages.

No more...all three software packages (Maya, 3ds Max, and Xsi) are now owned by Autodesk.

It will be interesting to see how this plays out. It seems silly for one company to keep all three packages since they have so much overlap.

My prediction: Maya will become the only 3D package Autodesk sells, with features from the other packages integrated into Maya.

What are your predictions? Post your thoughts in the comments. First with the correct prediction wins a prize!

Posted on October 24, 2008 12:35 AM | Permalink| Comments (5)

Ed Catmull, president of Disney Animation and Pixar, spoke candidly about his experiences running Pixar and Disney.

The talk was fascinating. I wish I had the whole thing on video. I jotted down some notes on what Ed said.

Why Pixar is successful...

What makes Pixar so successful is that Pixar focuses on the story.

BUT...*everybody* says they focus on the story. So saying "we focus on the story" is really meaningless.

If focusing on the story isn't what makes Pixar successful...what is?

Ed came up with two more possibilities: good people and good ideas.

Which one is more important?

Good people.

Why?

• Good Idea + Bad People = Bad Implementation
• Bad Idea + Good People = Fix Idea or replace idea with a better idea

An example of this...

Pixar had their "A" team work on Toy Story and then Bug's Life. "A" team worked well together and were very successful. "B" team started working on Toy Story 2. "B" team didn't have the same "magic" as "A" team. Toy Story 2 wasn't working and was in trouble. When "A" team finished with Bug's Life, they took over Toy Story 2 and started over (new script) with only 8 months until the movie was scheduled to finish. The movie was finished on time and was a huge success.

Every 1st version sucks. The next iteration sucks less. Keep iterating until it is actually good.

RenderMan...

The software is used internally by Pixar and sold externally as a product. Pixar once tried to keep new features internal before releasing them to customers so Pixar would have a competitive advantage. Net result: customers stopped trusting Pixar and lost faith in the product. Releasing all features fostered a better relationship with customers and meant new features were vetted by a larger audience which improved the product.

Peer reviews...

At Pixar, people have to present their work to an audience on a regular basis in an unpolished state. Because of the frequency, people quickly get over the embarrassment of critical reviews. Also, the whole group learns from the criticism.

Desired Qualities in employees...

• Have to be a filmmaker
• Have to be honest
• Have to be able to criticize people you may idolize. Once you are successful, people give you a "free pass" because they assume you know what you are doing. Everybody needs criticism to perform their best work.

Crises...

You can't be successful by avoiding crises...because they always happen. *How* you respond is what determines success.

Technorati Tags: SIGGRAPH, Ed Catmull

Posted on August 24, 2008 4:56 PM | Permalink| Comments (0)

Disney unveiled a teaser for TR2N, the sequel to TRON, at Comic-Con

on Thursday.

Above is a poor quality bootleg video...but it gets the idea across.

For a play-by-play description of what we are seeing, check this out.

I *really* want to see this.

Technorati Tags: TR2N

Posted on July 26, 2008 8:57 AM | Permalink| Comments (2)

My current hobby project (I always have some project that I'm working on that I never finish) is using Visual C# 2008 (free download) and Windows Presentation Foundation (WPF) to make an application with a slick, non-traditional User Interface (UI).

I'm using this project to learn about technology I think will have future importance.

So far I'm *very* impressed with C#. I've been doing C++ work since 1991 (Borland C++ 3.0). C# is a refreshing change, yet maintains enough similarities that it is easy for a C++ programmer to pick up with very little training.

WPF is the new UI API for Windows. It replaces the Win32 API, MFC, and Window Forms.

One of the features of WPF is that the fonts look perfect, no matter how much you magnify them. You can see this for yourself by using the magnifier tool (Start->Search->Magnifier).

To demonstrate, I created a sample WPF app in C# that displays some text...

Here is what my sample app looks like hovering near the task bar...

Here is what the same area looks like when I use 16x zoom with the magnifier (you'll have to click on the image to see it really zoomed in...it's too big to fit here):

Notice how sharp the WPF text is compared to the pixelated task bar. Very cool! This means apps can scale to any size monitor and still look perfect.

Using the magnifier, I've only found one application that uses WPF: Visual Studio 2008. And it only uses WPF in one place: the properties window for WPF elements. This is fairly new stuff...I expect it won't be long before you start seeing WPF-based apps.

Today I learned about another feature in WPF that I look forward to using: 2D on 3D. Basically, you can create standard 2D UI (buttons, scroll bars, sliders, etc.), but they can be mapped onto a 3D surface...and they still work!

It hard to explain, but this video really shows it off.

Daniel Lehenbauer and Kurt Berglund: Interactive 2D controls on WPF 3D Surfaces

I've downloaded the sample code from here. I plan on incorporating this into my project somehow.

This is fun stuff. When I have something worth showing, I'll post it.

Technorati Tags: WPF, C#, 3D

Posted on July 15, 2008 1:03 AM | Permalink| Comments (3)

I registered for SIGGRAPH 2008 this morning. This year it will be in Los Angeles August 11-15.

Registration opened yesterday. Register before July 4th for the best rates. Become a SIGGRAPH member and save $50.

One notable difference this year: no Electronic Theater viewing day selection in the registration. I actually can't find any mention of the ET. The closest was this quote about Computer Animation Festival changes:

Computer Animation Festival
For SIGGRAPH 2008, the festival has adopted a new format. Each day of the conference, it presents competition screenings, showcase screenings, and panel discussions with filmmakers, instructors, and artists involved in the creative process. The traditional Animation Theaters will not be available for SIGGRAPH 2008.

I hope this doesn't signal an end to the ET...it is one of my favorite parts of SIGGRAPH.

Sounds like several things have changed (or at least changed names).

Here's a list of future SIGGRAPH's...

This will be my 12th SIGGRAPH in a row! It never gets old!

Technorati Tags: SIGGRAPH, registration

Posted on March 18, 2008 9:46 AM | Permalink| Comments (2)

Randy Pausch is a professor at Carnegie Mellon University. He is losing his battle with pancreatic cancer and is expected to live for a few more months.

CMU has a lecture series entitled, "The Last Lecture." It is supposed to be your chance to talk about things that matter deeply to you. For Randy, it really may be his last lecture.

I first watched his 10 minute reprise of his lecture as a email forward...

After watching it, I wanted to see more. Here is the full video (76 min) from his original talk, "Really Achieving Your Childhood Dreams..."

The second video is more sincere and drawn out and I recommend viewing it.

Also, I was surprised to see a co-worker in the second video, Tommy Burnette. Tommy got a nice shout out from Randy for following his dreams to work on Star Wars.

I've seen Randy's work at SIGGRAPH's Emerging Technologies. He's worked on a VR project called "Alice."

Randy was involved in the Aladdin Magic Carpet Ride ride at DisneyQuest, which I tried out during SIGGRAPH '98 Orlando.

In his "last lecture," Randy announced one of his childhood dreams of "being Captain Kirk"...since then, J.J. Abrams gave him a role with a line in the upcoming Star Trek movie.

Technorati Tags: Randy Pausch, Last Lecture, Really Achieving Your Childhood Dreams

Posted on March 1, 2008 2:19 PM | Permalink| Comments (0)

Optimizing DirectX Rendering on Multi-Core Hardware

I didn't get much out of this that I hadn't already heard before.

They presented some profiling for some games that showed 50% of CPU time was spent on graphics related tasks.

They gave a list of tools that are helpful for profiling:

• Intel's VTune Performance Analyzer
• Intel's Thread Profiler
• Microsoft's PIX for Windows
• AMD's CodeAnalyst

Some of the talk was about the benefit of multiple cores verses the overhead required to synchronize multiple cores.

Expo

Sandbox2 editor for CryENGINE by Crytek

• Best/slickest game editor I've ever seen
• An editor built on top of the game engine
• Everything is WYSIWYG
• Artists can get great results very quickly
• Realtime Shadows
• Realtime Ambient Occlusion

Check out these demo videos of Sandbox2 in action...

Intel VTune

• Only works on Intel processors (surprise!)

Mono

• Allows C# code to run on Linux, Mac
• Have a validator that examines C# code for compatibility with Mono called MoMA
• Mono supports most of .NET framework 2.0

IGF Pavilion

There were some "indy" games that caught my eye...

World Of Goo

The Misadventures of P.B. Winterbottom

FLIPSIDE

Crayon Physics Deluxe

Pleo

Pleo is a dinosaur-robot made by UGOBE. What are they doing at GDC? They wanted people to know that Pleo is a "platform"...you can program new behaviors and applications for Pleo (via an SD card) and they are reaching out for people to add to its abilities. Check it out in action here:

Technical Issues in Tools Development (Day 1)

This was my favorite talk of the day.

It was a round table hosted by John Walker from High Voltage Software. John was the moderator. He started by asking for a few topics people would like to cover. Then he would ask some questions concerning a topic and let people in the room answer. Some people used this as an opportunity to say, "Has anybody in the room tried to do X? How did it work for you?" It was very informative.

There is another one Thursday and Friday, so I may go to those as well since the conversation will be different because different people will be there.

Some of the things I picked up...

• An artist complained about data-driven tools being great for programmers, but terrible for artists. He wanted more custom GUI work.
• Someone mentioned using XGE (Xoreax Grid Engine) to speed up their tools.
• We have debug and release builds of code, why not data? The debug data could contain information about where the data came from so that a crash because of bad data could be quickly resolved.
• Artists and Programmers need better communications
  • For artists, programmers should do video captures with audio explaining how to use a tool
  • For programmers, artists should do video captures with audio showing how they *actually* use a tool
• Artists were pleading for tools to use standard formats as much as possible, it makes their lives much easier
• A company should standardize on a set of icons so their tools look and feel the same
• When planning the UI, consider what the artist already knows and is familiar with. Maya? Max?
• Involve Artists in UI design
• A new, untested concept: decoupling the UI from the code, like the WPF (Windows Presentation Foundation) model in Vista. This lets an artist build the UI independently of the code behind it. No one had done it yet, but there was much interest.

Stupid Spherical Harmonics Tricks

What I learned here...was that I need to learn a lot more about spherical harmonics (SH).

The DXSDK has several samples involving SH.

The presenter has a couple of papers on the subject (here and here).

Creating Havok with Destruction

Havok announced a new product, Havok Destruction.

• Coming out mid-2008
• Features fracturing and deformation
• Artists draw how and object can be destroyed (where cracks will be)
  • Deterministic
  • Art driven
• Use "connectivity" to determine how much of an object breaks
  • No connectivity - object breaks along every crack
  • With connectivity - object can break along crack in close proximity to collision
• Deformation
  • Throwing cannon balls at barrels that dent instead of crack
• Direct competitor to DMM

Technorati Tags: Game Developers Conference, GDC

Posted on February 20, 2008 11:40 PM | Permalink| Comments (0)

I'll be going to GDC next week. GDC is the convention for video game developers. It is here in San Francisco at the Moscone Center.

Not sure what I'm attending yet, but I'll probably be there Wednesday through Friday.

GDC is not as fun as SIGGRAPH, but you can learn a lot. The focus is on interactive 3D graphics and techniques you can use today to speed up or improve the look of your graphics.

Looking forward to it!

Technorati Tags: Game Developers Conference

Posted on February 16, 2008 6:52 PM | Permalink| Comments (1)

Wow! Some interesting news dropped today.

Lucasfilm Animation's first project, The Clone Wars, is going to be released as a movie August 15th followed by a TV series on The Cartoon Network and TNT. More details here.

The trailer is here.

Technorati Tags: Star Wars, The Clone Wars, Lucasfilm Animation

Posted on February 13, 2008 12:04 AM | Permalink| Comments (0)

Nominations for the Academy Awards were announced today. Ceremonies are Sunday, February 24.

In the Best Achievement in Visual Effects category, ILM has two of the three nominees: Transformers and Pirates of the Caribbean: At World's End.

The other nominee is The Golden Compass.

ILM has won 15 previous Oscars for visual effects, including last year's Pirates of the Caribbean: Dead Men's Chest.

I will be *shocked* if Transformers doesn't win. The effects amazed me, and that doesn't happen very often anymore.

Good luck Scott!

Technorati Tags: Oscars, Academy Awards, Visual Effects

Posted on January 22, 2008 9:04 AM | Permalink| Comments (3)

I saw "The Pixar Story" today. It is a documentary following the creation of Pixar and the people behind it.

The director, Leslie Iwerks, did a Q&A session after the screening. Leslie's grandfather, Ub Iwerks, is the creator of Mickey Mouse.

I loved this film because I could relate to so much of it. Many of the movie events chronicled in this film made me want a career in computer graphics.

This is a great film...go see it if you get the chance or rent it when it comes to DVD.

Technorati Tags: The Pixar Story, Pixar, Leslie Iwerks, Movie Review

Posted on November 7, 2007 9:39 PM | Permalink| Comments (1)

Now that I have new surroundings, I've decided to start modeling something different...my office. The Letterman Digital Arts Center (LDAC) is comprised of 4 buildings: A, B, C and D. I'm in building C.

I'm going to use the tag "Modeling LDAC Building C" for all my updates. Search for this tag to see all my updates on this project.

To get started, I went to work today to take some reference photos. Here are the photos.

I will use overhead aerial photos from Microsoft's Virtual Earth and Mapquest to get started with the main outline. Google Maps was too out of date to use, the building was still under construction and the resolution was not very good. Yahoo! Maps resolution was too low to be helpful.

I am using Maya 8 Unlimited for the modeling, and Adobe Photoshop CS2 for image manipulation.

Posted on March 31, 2007 7:00 PM | Permalink| Comments (0)

This guy has it figured out! Hollywood uses Maya. You can get Hollywood 3D models on the internet. Copy and paste those models in Maya and you are on your way to making millions from your new film! It's easy and he shows you how...

Posted on March 16, 2007 8:53 PM | Permalink| Comments (4)

Ambient Occlusion (AO) is a trendy shading method for 3D graphics. It is useful for showing off geometric detail. Most AO renders are a single color, usually white, with no texture. AO is a simplification of global illumination (GI). GI can be very time consuming, whereas AO is relatively quick. Here are a bunch of AO examples. Besides simulating the ambient shadows from GI, AO is also used for "rust shaders" and "dust shaders" since AO is darkest in crevices, where rust and dust are the most likely to exist.

I was using Maya 6.0 which did not have built-in support for AO. I was considering creating my own AO shader for Maya 6.0, but decided instead to just upgrade Maya. Now I'm running Maya 7.0 (with 8.0 on the way).

Maya's AO is accessed as a Mental Ray shader. To do an AO render, create an ambient occlusion texture (Maya->Window->Rendering Editors->HyperShade...->Create->Mental Ray Textures->Mib_amb_occlusion) and drag it with the middle mouse button and drop it on the object you want to render. The Connection Editor will pop up to ask you how to connect the Mib_amb_occlusion to the object. Select the "OutValue" of the Mib_amb_occlusion and the "Surface Shader" of the object. When you render, make sure you choose "mental ray" as the renderer to see the results.

Here are some pics of the window I did for the Bank of America Plaza. This picture is from below looking up at the window.

From the side.

I need to place those windows on the building. First I tried duplicating the window with an offset, which was very time consuming and left me thinking there has to be a better way.

Next I found a plug-in in Maya called "geometryPaint." To use geometryPaint, you pick an object to paint with and then use the "Artisan Brush" to paint the geometry on another object. It seems like this would work well, but I ran into a problem. I set the brush to paint my window at every vertex I touch. For interior windows this is fine, but windows on the edge are a problem. The brush uses the normal of the vertex to determine the orientation of the window. The normals for the interior vertices are correct. The normal for vertices on the edge are shared by two sides, so the brush averages the normals. This gives you windows at an angle...which is not what I want.

I could probably just paint the whole model and then go back and rotate the edge window correctly, but I'm going to try another approach...MEL (Maya Embedded Language) scripting.

Technorati Tags: BOA Plaza Model, 3D, Maya, Modeling

Posted on August 20, 2006 6:01 PM | Permalink| Comments (2)

In the picture above you can see one window (upper center) placed on the building.

I used a lattice (Maya->Animation->Deform->Create Lattice) to make the window fit into the window rectangle on the building. I had some problems when I was trying to snap to vertex since there were so many vertices. I found that I could simplify the scene and then moving the lattice became trivial. I added 4 "locators" (Maya->Create->Locator) and placed them in the 4 corners of the destination of the window. A locator is just a vertex place holder. With the locators in place, I could hide the entire building model and just use the locators. Next, I hid the window geometry and just used the lattice cube. Instead of working with tens of thousands of vertices and struggling to get the right vertex in the right location, I only had to work with 12. MUCH easier and a big time saver.

One window down, thousands more to go. I started using the duplicate command with and offset (Maya->Edit->Duplicate) to position windows. There were two problems with this...it is *very* tedious* to have to type in all the offsets to place a windows and my system started to grind to a halt when I added about 20 floors of windows.

I decided to stop and try a different approach. My new plan to address the placement issue is to use a script plug-in that comes with Maya called "geometryPaint". It sounds like I could describe how windows are spaced on a grid, make the building paintable, and then just scribble on the building until it is covered in windows. There is no documentation for this script as far as I can tell, so I'll need to do some experimenting and digging on the net.

I believe I already have a good solution for the performance issues as I add many windows. In the original window file, I created a 4 vertex plane that represents the window and has the same dimensions as the window. I put both the high resolution window (the original) and the low resolution window (4 vertex plane) in a LOD group (Maya->Edit->Level of Detail->Group). For the LOD group, you can choose to let the distance from the camera determine which model is used or you can set it manually. While I am modeling, I am going to manually set the low resolution window to show. When I am ready to render, I switch it so that the high resolution will show. Since all the windows are "references" (Maya->File->Create Reference....), I should only have to change the LOD group once and it will effect every window on the building model.

Technorati Tags: BOA Plaza Model, 3D, Maya, Modeling

Posted on August 12, 2006 12:18 PM | Permalink| Comments (0)

I finished up a single window for my model of the Bank Of America Plaza. I used a couple of pictures I took as reference photos (here and here).

Being an engineer...I like to make things perfect. However, I don't have the blueprints for this building, so there is a lot of guess work. That is probably the most difficult part for me...using my best judgement instead of using an exact measurement.

I put *WAY* more detail than I needed, because I want the model to capture subtle shadows in the crevices (between windows, the horizontal indention in the base, the horizontal bar across the window, window indention from frame). It took 47 faces to build, which isn't much. However, this window will be repeated on the building over 13,000 times! That will put me at around 600,000 faces! And I haven't even gotten to doing the ground level or the detail on the roof. I will quickly have to figure out how to work with a very polygon-heavy model!

After I finished the window, I tried to attach it to the shell of the building. I *thought* I would just turn on snap to vertex and then use the scale tool to stretch the window to fit inside one of the open window faces on the BOA shell.

Unfortunately, Maya doesn't work that way. Snap to vertex only snaps when *moving*, not scaling. I could not just move my window because I needed to move *and* shrink the window proportionally to fit in the face of the building. My Maya mentor Kyle Rives had a brain storming session on how to best make the window fit precisely in the face on the shell of the building. There were plenty of ways to do it, but I wanted to do it the "right way"...the most efficient way possible. Kyle came up with the idea to try using the animation menu's "Deform->Create Lattice". I never would have thought to look in the animation menu set for the solution to a modeling problem, but it worked really well. I just put a lattice around my window, turned on snap to vertex, and then moved each corner of the lattice to the face of the building. The lattice took care of scaling the entire window appropriately. I still have more work to do on it, but the lattice tool worked really well and is a big time saver.

I'm off to SIGGRAPH...so no more updates until I get back.

Technorati Tags: BOA Plaza Model, 3D, Maya, Modeling

Posted on July 27, 2006 10:38 PM | Permalink| Comments (5)

My buddy Trey (a.k.a. Spaghetti) and I want to get better at 3D modeling. The problem is that 3D modeling is time consuming and it is very easy to let it drop as life gets hectic. That's where the blog comes in. We are both going to detail our work in our blogs. If I don't see a regular update from him on his blog, then I will harass him until he starts producing...and I expect the same out of him.

Peer pressure has already worked...I was supposed to do this initial blog entry last week, but I got tied up with a few things...which triggered the guilt-inducing emails from Trey. It worked!

Trey will keep me honest...but I welcome prodding from anyone. If you notice I'm not updating my blog with 3D modeling updates, send me an email or post a comment...it will definitely help keep me on track!

So what am I going to model? I want to build downtown Dallas. I am starting with the tallest building in Dallas, the Bank of America Plaza.

The Skyscraper Page is one of my favorite websites for looking up information about tall buildings. Here is their info on BOA Plaza.

I am going to use Maya 6.0 for modeling. We use Maya at work, so anything I learn on this project helps me with my job as well. I use a SpaceBall 5000 to make manipulating 3d models easier (left hand on SpaceBall, right hand on mouse). For manipulating images, I'm using Corel's Paint Shop Pro X.

Here is what I have so far. I built the frame of the building. Next up: add the windows.

All of my updates will be filed under the BOA Plaza Model, which you can search for. Spaghetti's updates are here.

Technorati Tags: BOA Plaza Model, 3D, Maya, Modeling

Posted on July 8, 2006 11:06 AM | Permalink| Comments (5)

I registered for SIGGRAPH 2006 today. This will be the 10th consecutive SIGGRAPH I've attended. This year it will be in Boston in late July/early August. I plan on spending a few days checking out Boston before the big show starts (I've never been to Boston before).

Now that I have this blog thing down, I plan on doing SIGGRAPH trip reports directly on this site. Should be fun! If anybody else is going...let me know and we'll hook up at the show.

Posted on May 26, 2006 12:16 PM | Permalink| Comments (2)

I played with a very cool application this weekend. It is called Endorphin by a company called Natural Motion. Endorphin is used to generate motion for 3D character animation.

Trying to animate a character by hand (using a package such as Maya) is tedious and likely will not capture all the subtleties of motion. An alternative to animating by hand is motion capture or mocap. Mocap requires a studio with expensive equipment that records the location of positions on actors bodies. This motion data is applied to 3D characters so they behave just like the real life actors.

Endorphin is a new twist on character animation. It uses a different approach. To capture motion, you place a "dummy" into your 3D scene. This dummy has highly tweak-able "behaviors" that make it react in a very convincing fashion. Once your scene is setup, you press the "simulate" button to calculate what will happen. Simulations run in real time, so feedback is very quick.

Here is an example I threw together in about 5 minutes. It is very simple. I applied a force to the chest of the dummy to simulate a gunshot. I also applied a behavior to the dummy called "stagger" that is responsible for how the dummy reacts to the gunshot. Then I pressed play to see what happens.

Here is a more complex example. This was also very easy to setup...probably about 10 minutes. I started by having the dummy jump by giving the dummy a jump behavior. I tweaked the jump behavior until the dummy's hands were close to the pole. Then I added a constraint that locked the dummy's hands on the pole. The hand constraint causes the dummy to rock back and forth on the pole. I added another behavior called "legs kick" that adds a bit more life to how the dummy moves his legs move back and forth. Then I undo the constraint to let the dummy fall to his death. It is really fun killing dummies.

The next thing I tried was posing a character. For example, how do you position a character so that it looks like they are sitting in a chair? With Endorphin, it is very easy. Since the dummy reacts like a real human, you just place him in the seat. His body will collide with the chair (not go through it) until he is sitting. And since the dummy understands how humans move, the resting position of the dummy in the chair is very believable. For example, if you try to place the dummy's arm on the arm rest, the rest of the body will react appropriately without letting you create an arm position that a human cannot possibly have. Positioning a character in Endorphin is very easy and a huge time saver verses doing it by hand.

Several big name video games are using Endorphin for their character animation. The new Indiana Jones video game is one example coming out in 2007. Namco's Tekken 5 also used Endorphin for generating the animations of two players fighting each other.

Endorphin is not cheap. The full version costs $9,495 plus 12 months of maintenance for $2,395. If you can't afford to buy their software, you can rent it for $1,195 a month. If you want to use this app for non-commercial purposes, you can get the student version for $995.

I used the free trial version this weekend. The only difference between the free version and the full version is what you can export. The full version will let you export data (via FBX file format, for example) that can be read by an animation package like Maya. You can also export movie clips. The trial version will only export movie clips.

Since you can do all your work in the free trial version, it may be cheaper to get your scenes setup in the trial version and then rent the software for a month in order to get the motion data out. I'm not sure if their license allows you to do this, so I'd check with Natural Motion first.

Natural Motion has several very impressive video clips on their website that show off much more complex examples. Check them out here.

Final thoughts...very fun program to play with. When I do character animation in the future, I will certainly consider Endorphin as the fastest/easiest/cheapest way to get good looking character motion data. Highly recommended.

Posted on April 23, 2006 6:57 PM | Permalink| Comments (2)

Posted on February 5, 2006 3:41 PM | Permalink| Comments (0)

I could never get the Microsoft DirectX SDK to install its extensions for Maya. I wrote up a webpage that explains how to install these extensions manually.

With the DirectX Extensions for Maya, you can export the .X file format, use .FX files for materials, and open a Direct3D viewer inside of Maya.

Posted on February 5, 2006 3:29 PM | Permalink| Comments (0)

If you use Alias’s Maya, then you have probably run into this. When you open a tool or another window, the focus leaves your 3D view. When you try to render a view, you get this annoying message…

Please select the view you want to render

I put together a web page that explains how to tell Maya to use the last view you had selected for rendering and get rid of this annoying dialog box.

I got a thank you from a Maya modeler that has had the annoying problem for a long time. I wondered how he found my website. I did a search on Google. I found that Google has indexed my website. If you do a search on the above dialog box message, you will find that I am one of the top links on Google!

Posted on February 5, 2006 3:15 PM | Permalink| Comments (0)